Wonders of Creation: explaining the universe with Brian Cox and Robin Ince

As Carl Sagan once you said: "if you wish to make an apple pie from scratch, you must first invent the universe." A few nights' ago, I went to what its' promoters bill as ‘the world's most successful and significant science show', which in just over two hours presented a delineation of the birth, history, and eventual death of the universe. In fact, it covered just about everything from primordial slime to the triumphs of the Cassini space probe, only lacking the apple pie itself.

The show in question is an evening with British physicist and presenter Professor Brian Cox. As a long-time fan of his BBC Radio show The Infinite Monkey Cage I was interested to see how the celebrity professor worked his sci-comm magic with a live audience. In addition to the good professor, his co-presenter on The Infinite Monkey Cage, the comedian Robin Ince, also appeared on stage. As such, I was intrigued to see how their combination of learned scientist and representative layman (or 'interested idiot' as he styles himself) would work in front of two thousand people.

I've previously discussed the trend for extremely expensive live shows featuring well-known scientists and (grumble-grumble) the ticket's to Brian Cox were similarly priced to those for Neil deGrasse Tyson earlier this year. As usual, my friends and I went for the cheaper seats, although Auckland must have plenty of rich science fans, judging by the almost packed house (I did a notice a few empty seats in the presumably most expensive front row). As with Professor Tyson, the most expensive tickets for this show included a meet and greet afterwards, at an eye-watering NZ$485!

When Cox asked if there were any scientists in the audience, there were very few cheers. I did notice several members of New Zealand's sci-comm elite, including Dr Michelle Dickinson, A.K.A. Nanogirl, who had met Ince on his previous Cosmic Shambles LIVE tour; perhaps the cost precluded many STEM professionals from attending. As I have said before, such inflated prices can easily lead to only dedicated fans attending, which is nothing less than preaching to the converted. In which case, it's more of a meet-the-celebrity event akin to a music concert than an attempt to spread the wonder - and rationality - of science.

So was I impressed? The opening music certainly generated some nostalgia for me, as it was taken from Brian Eno's soundtrack for the Al Reinert 1983 feature-length documentary on the Apollo lunar missions. Being of almost the same age as Professor Cox, I confess to having in my teens bought the album of vinyl - and still have it! Unlike Neil deGrasse Tyson's show, the Cox-Ince evening was an almost non-stop visual feast, with one giant screen portraying a range of photographs and diagrams, even a few videos. At the times, the images almost appeared to be 3D, seemingly hanging out of the screen, with shots of the Earth and various planets and moons bulging onto the darkened stage. I have to admit to being extremely impressed with the visuals, even though I had seen some of them before. Highlights included the Hubble Space Telescope's famous Ultra-Deep Field of the earliest galaxies and the montage of the cosmic microwave background taken by the WMAP probe.

The evening (okay, let's call it a cosmology lecture with comic interludes) began as per Neil deGrasse Tyson with the age and scale of the universe, then progressed through galaxy formation and a few examples of known extra-solar planets. However, the material was also bang up to date, as it included the recent discoveries of gravitational waves at LIGO and the creation of heavy elements such as gold and platinum in neutron star collisions.

Our universe: a potted history

Professor Cox also took us through the future prospects of the solar system and the eventual heat death of the universe, generating a few "oohs" and "aahs" along the way.  Interestingly, there was little explanation of dark matter and dark energy; perhaps it was deemed too speculative a topic to do it justice. Black holes had a generous amount of attention though, including Hawking radiation. Despite having an audience of primarily non-STEM professionals (admittedly after a show of hands found a large proportion of them to be The Infinite Monkey Cage listeners), a certain level of knowledge was presupposed and there was little attempt to explain the basics. Indeed, at one point an equation popped up - and it wasn't E=MC². How refreshing!

Talking of which, there was a brief rundown of Einstein's Special and General Theories of Relativity, followed by the latter's development into the hypothesis of the expanding universe and eventual proof of the Big Bang model. Einstein's Cosmological Constant and his initial dismissal of physicist-priest Georges Lemaître's work were given as examples that even the greatest scientists sometimes make mistakes, showing that science is not a set of inviolable truths that we can never improve upon (the Second Law of Thermodynamics excluded, of course). Lemaître was also held up to be an example of how science and religion can co-exist peacefully, in this case, within the same person.

Another strand, proving that Cox is indeed deeply indebted to Carl Sagan (aren't we all?) was his potted history of life on Earth, with reference to the possibility of microbial life on Mars, Europa and Enceladus. The lack of evidence for intelligent extra-terrestrials clearly bothers Brian Cox as much as it did Sagan. However, Cox appeared to retain his scientific impartiality, suggesting that - thanks to the 3.5 billion year plus gap between the origin of life and the evolution of multi-cellular organisms - intelligent species may be extremely rare.

For a fan of crewed space missions, Cox made little mention of future space travel, concentrating instead on robotic probes such as Cassini. The Large Hadron Collider also didn't feature in any meaningful way, although one of the audience questions around the danger of LHC-created black holes was put into perspective next to the natural black holes that might be produced by cosmic ray interactions with the Earth's atmosphere; the latter's 10⁸ TeV (tera electron volts) far exceed the energies generated by the LHC and we've not been compressed to infinity yet.

Robin Ince's contributions were largely restricted to short if hilarious segments but he also made a passionate plea (there's no other word for it) on the readability of Charles Darwin and his relevance today. He discussed Darwin's earthworm experiments and made short work of the American evangelicals'  "no Darwin equals no Hitler" nonsense, concluding with one of his best jokes: "no Pythagoras would mean no Toblerone".

One of the friends I went with admitted to learning little that was new but as stated earlier I really went to examine the sci-comm methods being used and their effect on the audience. Cox and Ince may have covered a lot of scientific ground but they were far from neglectful of the current state of our species and our environment. Various quotes from astronauts and the use of one of the 'pale blue dot' images of a distant Earth showed the intent to follow in Carl Sagan's footsteps and present the poetic wonder of the immensity of creation and the folly of our pathetic conflicts by comparison. The Cox-Ince combination is certainly a very effective one, as any listeners to The Infinite Monkey Cage will know. Other science communicators could do far worse than to follow their brand of no-nonsense lecturing punctuated by amusing interludes. As for me, I'm wondering whether to book tickets for Richard Dawkins and Lawrence Krauss in May next year. They are slightly cheaper than both Brian Cox and Neil deGrasse Tyson. Hmmm…

The moons of Saturn and echoes of a synthetic universe

As fans of Star Wars might be aware, George Lucas is nothing if not visually astute. His thumbnail sketches for the X-wing, TIE fighter and Death Star created the essence behind these innovative designs. So isn't it strange that there is a real moon in our solar system that bears an astonishing resemblance to one of Lucas's creations?

At the last count Saturn had 53 confirmed moons, with another 9 provisionally verified - and as such assigned numbers rather than names. One of the ringed planet's natural satellites is Mimas, discovered in 1789 and at 396 kilometres in diameter about as small as an object can be yet conform to an approximate sphere. The distinguishing characteristic of Mimas is a giant impact crater about 130 kilometres in diameter, which is named Herschel after the moon's discoverer, William Herschel. For anyone who has seen Star Wars (surely most of the planet by now), the crater gives Mimas an uncanny resemblance to the Death Star. Yet Lucas's original sketch for the battle station was drawn in 1975, five years before Voyager 1 took the first photograph with a high enough resolution to show the crater.

Okay, so one close resemblance between art and nature could be mere coincidence. But amongst Saturn's retinue of moons is another with an even more bizarre feature. At 1469 kilometres in diameter Iapetus is the eleventh largest moon in the solar system. Discovered by Giovanni Cassini in 1671, it quickly became apparent that there was something extremely odd about it, with one hemisphere much brighter than the other.

As such, it attracted the attention of Arthur C. Clarke, whose novel 2001: A Space Odyssey described Japetus (as he called it) as the home of the Star Gate, an artificial worm hole across intergalactic space. He explained the brightness differentiation as being due to an eye-shaped landscape created by the alien engineers of the Star Gate: an enormous pale oval with a black dot at its centre. Again, Voyager 1 was the first spacecraft to photograph Iapetus close up…revealing just such a feature! Bear in mind that this was 1980, whereas the novel was written between 1965 and 1968. Carl Sagan, who worked on the Voyager project, actually sent Clarke a photograph of Iapetus with a comment "Thinking of you..." Clearly, he had made the connection between reality and fiction.

As Sagan himself was apt to say, extraordinary claims require extraordinary evidence. Whilst a sample of two wouldn't make for a scientifically convincing result in most disciplines, there is definitely something strange about two Saturnian moons that are found to closely resemble elements in famous science fiction stories written prior to the diagnostic observations being made. Could there be something more fundamental going on here?

One hypothesis that has risen in popularity despite lacking any hard physical evidence is that of the simulated universe. Nick Bostrum, the director of the University of Oxford's Future of Humanity Institute has spent over a decade promoting the idea. Instead of experimental proof Bostrum uses probability theory to support his suppositions. At its simplest level, he notes that the astonishing increase in computing power over the past half century implies an ability in the near future to create detailed recreations of reality within a digital environment; basically, it's The Matrix for real (or should that be, for virtual?)

It might sound like the silliest science fiction, as no-one is likely to be fooled by current computer game graphics or VR environments, but with quantum computing on the horizon we may soon have processing capabilities far beyond those of the most powerful current mainframes. Since the ability to create just one simulated universe implies the ability to create limitless - even nested - versions of a base reality, each with potentially tweaked physical or biological laws for experimental reasons, the number of virtual realities must far outweigh the original model.

As for the probability of it being true in our universe, this key percentage varies widely from pundit to pundit. Astronomer and presenter Neil deGrasse Tyson has publicly admitted he considers it an even chance likelihood, whilst Space-X and Tesla entrepreneur Elon Musk is prepared to go much further, having stated that there is only a one in a billion chance that our universe is the genuine physical one!

Of course anyone can state a probability for a hypothesis as being fact without providing supporting evidence, but then what is to differentiate such an unsubstantiated claim from a religious belief? To this end, a team of researchers at the University of Bonn published a paper in 2012 called 'Constraints on the Universe as a Numerical Simulation', defining possible methods to verify whether our universe is real or virtual. Using technical terms such as 'unimproved Wilson fermion discretization' makes it somewhat difficult for anyone who isn't a subatomic physicist to get to grips with their argument (you can insert a smiley here) but the essence of their work involves cosmic rays. The paper states that in a virtual universe these are more likely to travel along the axes of a multi-dimensional, fundamental grid, rather than appear in equal numbers in all directions. In addition, they will exhibit energy restrictions at something called the Greisen-Zatsepin-Kuzmin cut-off (probably time for another smiley). Anyhow, the technology apparently exists for the relevant tests to be undertaken, assuming the funding could be obtained.

So could our entire lives simply be part of a Twenty-Second Century schoolchild's experiment or museum exhibit, where visitors can plug-in, Matrix-style, to observe the stupidities of their ancestors? Perhaps historians of the future will be able to run such simulations as an aide to their papers on why the hell, for example, the United Kingdom opted out of the European Union and the USA elected Donald Trump?

Now there's food for thought.