Showing posts with label David Attenborough. Show all posts
Showing posts with label David Attenborough. Show all posts

Monday 26 August 2019

Why tiny organisms can be big news: three stories focused on the smaller scales of life

I've often mentioned how small-scale life is overlooked compared to the larger creatures we share this planet with. Three recent examples concern progressively smaller species and show both how little most people know about such organisms and how such apparently inconsequential life forms can effect our species.

The first example comes from Shropshire in the United Kingdom and occurred last month. A family in Telford came home from holiday to find that the fish in their ornamental tank had died. On cleaning the tank, the toxic fumes that emanated from it were so dangerous as to poison the family, leading to a stay in an isolation ward while their house was sealed off. The agent responsible for this none other than Zoanthid soft corals growing on a tank ornament, which turned out to be palytoxin, for which there is no antidote. Severe cases can lead to death from respiratory or cardiac failure, making it the second most poisonous non-protein substance.

Incidentally, none of the news reports stated if it was the toxin that killed the fish in the aquarium. What is most interesting about this story was that the family were reported as being unaware that the coral was alive, in addition to not receiving a warning from the store they bought the coral from.

I'm uncertain whether they meant that they didn't know that corals are animals rather than plants or whether they considered them as some type of mineral! Either way this sort of lack of fairly basic knowledge about the natural world always fills me with amazement, as I would have thought that a combination of primary school books and David Attenborough documentaries would have supplied this information to just about anyone in the UK today.

Leaving aside the obvious fact that nature is not a harmless mis-en-scene built for the enjoyment of mankind, this example shows just how dangerous even small-scale life can be; proof indeed that you don't have to travel to Australia to come into close contact with highly toxic species. Once gain, global warming may increase such encounters, as since the start of the twenty-first century, the Mediterranean has been experiencing mass poisonings due to algal blooms produced by a palytoxin derivative. Perhaps the moral here is better education before buying a pet!

If NASA's recent announcement of the 2025 Europa Clipper mission comes to fruition we will be one step closer to knowing if there are exotic forms of life in the ice-blanketed ocean of this moon of Jupiter. However, it is possible that our very own Moon might already be harbouring animals of an altogether more terrestrial nature.

The Israeli Beresheet lander crashed there in April this year but news reports have suggested that a few thousand passengers in the form of barely visible tardigrades (no more than 1.2 millimeters long) may have survived, albeit in a dehydrated form of hibernation. Able to survive in a tun state without water and in conditions of intense cold and heat - as well as a high vacuum - these water bears are only susceptible to ultraviolet flux.

Experiments conducted on the International Space Station prove that tardigrades can be rehydrated back to normal after exposure to the outer space environment. The probes demise appears to have been rather fast, so whether the water bears could survive the impact and sudden change in temperature and loss of atmosphere is doubtful. Most news stories seem to play the cuteness factor, with few mentioning that biological contamination of another body could be a breach of international law. Of course, the Moon's lack of atmosphere and liquid water mean any survivors are likely to remain in a tun state unless they can be retrieved in the future.

Tardigrade research may one day aid the development of long-duration space travel and human hibernation. What I'd really like to know about this story is that had Beresheet landed successfully, just what were the plans for the tardigrades anyway? None of the articles I read stated just what sort of scientific experiment they were the unwilling participants in. It's not like they would be able to phone home!

The third story concerns a life form whose individuals are microscopic but none the less important in terms of their environmental impact en masse. Back in 2004, the Waiau River in New Zealand's South Island was found to contain large masses of didymo, a type of freshwater diatom or single-celled algae not known to be native to the Southern Hemisphere, let alone the country. Individual
Didymosphenia geminata, colloquially called 'rock snot', might not be any more than one or two hundred microns long but they are capable of generating clumps and strands of mucus around a meter in size. Other South Island rivers were soon found to be equally contaminated, with other nations ranging from Canada to Chile finding similar proliferation.

What made this outbreak interesting is that algal blooms are usually due to an excess of nutrients entering fresh water sources, primarily from agricultural run-off. In the case of didymo it appears to be quite the opposite, with massive increases in mucus production being generated by a severe lack of phosphorus. Ironically, this means that attempts to reduce nutrient levels in the affected rivers might have only exacerbated the problem. As evidence in favour of this hypothesis, rivers tested in New Zealand's North Island have been shown to contain a combination of high phosphorus and dead didymo cells.

It hasn't even been established beyond doubt as to whether didymo has been accidentally introduced to New Zealand and elsewhere, or whether it has always been a minor, unobtrusive component of the ecosystem previously kept in check. While some environmental departments and organisations seem to prefer the former option - presumably as ammunition in the fight against invasive species - either origin still leads to potential degradation. Smaller insect species that congregate around rivers and streams, such as gnats and midges, tend to increase in numbers at the expense of larger ones such as caddisflies and mayflies. This in turn could have a knock-on effect on freshwater fish, crustacea, and probably wading birds too.

Financially-important human activities are also affected, from commercial fishing to hydroelectric schemes, but there appears to be no method of eradicating didymo without destroying other life in the same river. Therefore it may turn out that the only solution is to pollute rivers with phosphorus in order to keep the diatom population at a minimum!

This is far from the first time that I have discussed small-scale life but the issues raised by these three stories show yet again that we maintain traditional scale prejudice at our peril. Whether it is a single household experiencing (potentially fatal) poisoning to widespread changes in freshwater environments, we need better public education - and probably far more funding for international research - in order to minimise the problems generated at scales usually beneath our gaze. When it comes down to the crunch, such organisms have a far greater impact on the global ecosystem than all the endangered pandas, elephants and rhinos combined. As for those lunar tardigrades, I wonder how they are getting on..?

Sunday 10 March 2019

Buzzing away: are insects on the verge of global extinction?

It's odd how some of these posts get initiated. For this particular one, there were two driving factors. One was passing a new house on my way to work where apart from the concrete driveway, the front garden consisted solely of a large square of artificial grass; the owners are clearly not nature lovers! The second inspiration was listening to a BBC Radio comedy quiz show, in which the panel discussed the recent report on global insect decline without being able to explain why this is important, apart from a vague mention of pollination.

Insect biologists have long sung the praises of these unrewarded miniature heroes, from JBS Haldane's supposed adage about God being "inordinately fond of stars and beetles" to EO Wilson's 1987 speech that described them as "the little things that run the world." In terms of numbers of species and individuals, invertebrates, especially insects, are the great success story of macroscopic life on our planet. So if they are in serious decline, does that spell trouble for Homo sapiens?

The new research claims that one-third of all insect species are currently endangered, extrapolating to wholesale extinction for the class Insecta over the next century. Although the popular press has started using evocative phrases such as "insect genocide" and even "insectageddon", just how accurate are these dramatic claims?

The United Nation's Red List currently describes three hundred insect species as critically endangered and a further seven hundred as vulnerable, but this is a tiny proportion of the total of...well, at lot more, at any rate. One oft-quoted figure is around one million insect species, although entomologists have estimated anywhere from 750,000 up to 30 million, with many species still lacking formal scientific identification. The hyperbole could therefore easily sound like unnecessary scaremongering, until you consider the details.

The new report states that butterflies and caddis flies are suffering the greatest decline, while cockroaches - as anyone who has faced a household infestation of them will know, they are likely to remain around until the end of world - and flies are the least affected orders. So, to paraphrase Monty Python, what have the insects ever done for us?

Pollination is of course of key importance, to both horticulture and un-managed 'wild' environments. Insects are near the base of many food webs; if numbers were much reduced, never mind removed, the impact on the rest of the ecosystem would be catastrophic. With the human population set to top ten billion in thirty years' time, we require ever larger regions of productive land for agriculture. They may be small at an individual level, but arthropods in general total about seventeen times the mass of all us H. sapiens. Insects replenish the soil, as alongside bacteria they break down dead matter and fecal material. So important is this latter function that New Zealand has been trialling non-native dung beetles to aid cattle farmers.

One key way to save fresh water and lessen the generation of the potent greenhouse gas methane is to reduce meat consumption in favour of insect protein. If insects are no longer around, then that will be an additional challenge in reducing environmental degradation. This of course also ignores the fact that insects are already a component in the diet of many developing nations. Last year I wrote about how scientists have been creating advanced materials derived from animals. Again, we are shooting ourselves in the foot if we allow this ready-made molecular library to be destroyed.

What is responsible for this global decline? Perhaps unsurprisingly, it turns out to be the usual suspects. Agricultural chemicals including pesticides have been associated with honey-bee colony collapse disorder (not incidentally, some tests have found honey samples with neonicotinoids - the mostly widely-used insecticides - exceeding the recommended human dosage) so clearly the same culprit is affecting other insects. Fresh waterways, home to many aquatic insect species, are frequently as polluted as the soil, either due to agricultural run-off or industrial contaminants. Wild landscapes are being converted with great haste into farm land and urban sprawl, with an obviously much-reduced biota.

Climate change is playing its part, with soil acidity increasing just as it is in the oceans. Even areas as remote as central Australia have seen marked decreases in insects as higher temperatures and lower rainfall outpaces the ability to adapt to the new conditions. I've often mentioned the role of invasive species in the decimation of indigenous vertebrates, but insects are equally prone to suffer from the arrival of newcomers. Although New Zealand has very strict biosecurity protocols, the likes of Queensland fruit flies and brown marmorated stink bugs are still occasionally found in or around ports of entry.

Many nations have no such procedures in place, resulting in local species being out-competed or killed by introduced species or pathogens to which they have no resistance. Until fairly recently, even New Zealand had a lax attitude to the issue, resulting in the decline of native species such as carabid beetles. When I conducted a brief survey of my garden in 2017 I found that one-third of the insect species were non-native, most of these being accidental imports since the arrival of European settlers.

If insects are so vital to our survival, why has there been so little interest in their well-being? There are some fairly obvious suggestions here. Firstly, at least in Western cultures, insects have been deemed dirty, ugly things that can be killed without a second thought. Wasps, ants and cockroaches in particular are seen in this light of being unwelcome pests, with typical insect-related phrases including "creepy crawlies" and "don't let the bed bugs bite".

It's fairly well-known that malaria-carrying mosquitoes are the most dangerous animals for us humans in terms of fatalities. The widespread outbreaks of the Zika virus haven't done them any favours either. As Brian Cox's television series Wonders of Life showed, their small size has given them veritable super powers compared to us lumbering mammals, from climbing up sheer surfaces (as a praying mantis was doing a few nights' ago on my window) to having amazing strength-to-weight ratios. All in all, insects are a bit too alien for their own good!

Clearly, scale prejudice is also a key factor. On a recent trip to Auckland Central Library I only found one book on insects versus dozens on birds. Photographic technology has been a double-edged sword when it comes to giving us a clearer picture of insects: close-ups are often greeted with revulsion, yet until Sir David Attenborough's 2005 BBC series Life in the Undergrowth, there was little attempt to film their behaviour with the same level of detail as say, the lions and antelopes of the Serengeti. It should also be mentioned that when Rachel Carson's ground-breaking book about the dangers of pesticides, Silent Spring, was published in 1962, the resulting environmentalism was largely in support of birds rather than insects.

Among all this doom and gloom, are there any ways to prevent it? One thing is for certain, and that is that it won't be easy. The agricultural sector would have to make drastic changes for a start, becoming much smarter in the use of chemicals and be held responsible for the local environment, including waterways. Vertical farming and other novel techniques could reduce the need for new agricultural land and water usage, but developing nations would be hard-pressed to fund these themselves.

Before any major undertaking, there's going to have to be either a fundamental crisis, such as food shortages, in a rich nation or a massive public relations exercise to convince people to consider insects in the same light as giant pandas or dolphins. This is not going to be easy, but as David Attenborough put it: "These small creatures are within a few inches of our feet, wherever we go on land - but often, they're disregarded. We would do very well to remember them."

Wednesday 13 June 2018

Debunking DNA: A new search for the Loch Ness monster

I was recently surprised to read that a New Zealand genomics scientist, Neil Gemmell of Otago University, is about to lead an international team in the search for the Loch Ness monster. Surely, I thought, that myth has long since been put to bed and is only something exploited for the purposes of tourism? I remember some years ago that a fleet of vessels using side-sweeping sonar had covered much of the loch without discovering anything conclusive. When combined with the fact that the most famous photograph is a known fake and the lack of evidence from the plethora of tourist cameras (never mind those of dedicated Nessie watchers) that have convened on the spot, the conclusion seems obvious.

I've put together a few points that don't bode well for the search, even assuming that Nessie is a 'living fossil' (à la coelacanth) rather than a supernatural creature; the usual explanation is a cold water-adapted descendant of a long-necked plesiosaur - last known to have lived in the Cretaceous Period:
  1. Loch Ness was formed by glacial action around 10,000 years ago, so where did Nessie come from? 
  2. Glacial action implies no underwater caves for hiding in
  3. How can a single creature maintain a long-term population (the earliest mentions date back thirteen hundred years)? 
  4. What does such a large creature eat without noticeably reducing the loch's fish population?
  5. Why have no remains ever been found, such as large bones, even on sonar?
All in all, I didn't think much of the expedition's chances and therefore I initially thought that the new research would be a distinct waste of money that could be much better used elsewhere in Scotland. After all, the Shetland seabird population is rapidly decreasing thanks to over-fishing, plastic pollution and loss of plankton due to increasing ocean temperatures. It would make more sense to protect the likes of puffins (who have suffered a 98% decline over the past 20 years), along with guillemots and kittiwakes amongst others.

However, I then read that separate from the headline-grabbing monster hunt, the expedition's underlying purpose concerns environmental DNA sampling, a type of test never before used at Loch Ness. Gemmell's team have proffered a range of scientifically valid reasons for their project:
  1. To survey the loch's ecosystem, from bacteria upwards 
  2. Demonstrate the scientific process to the public (presumably versus all the pseudoscientific nonsense surrounding cryptozoology)
  3. Test for trace DNA from potential but realistic causes of 'monster' sightings, such as large sturgeon or catfish 
  4. Understand local biodiversity with a view to conservation, especially as regards the effect caused by invasive species such as the Pacific pink salmon. 
Should the expedition find any trace of reptile DNA, this would of course prove the presence of something highly unusual in the loch. Gemmell has admitted he doubts they will find traces of any monster-sized creatures, plesiosaur or otherwise, noting that the largest unknown species likely to be found are bacteria. Doesn't it seem strange though that sometimes the best way to engage the public - and gain funding - for real science is to use what at best could be described as pseudoscience?

Imagine if NASA could only get funding for Earth observation missions by including the potential to prove whether our planet was flat or not? (Incidentally, you might think a flat Earth was just the territory of a few nutbars, but a poll conducted in February this year suggests that fully two percent of Americans are convinced the Earth is a disk, not spherical).

Back to reality. Despite the great work of scientists who write popular books and hold lectures on their area of expertise, it seems that the media - particularly Hollywood - are the primary source of science knowledge to the general public. Hollywood's version of de-extinction science, particularly for ancient species such as dinosaurs, seems to be far better known than the relatively unglamorous reality. Dr Beth Shapiro's book How to clone a mammoth for example is an excellent introduction to the subject, but would find it difficult to compete along side the adventures of the Jurassic World/Park films.

The problem is that many if not most people want to believe in a world that is more exciting than their daily routine would suggest, with cryptozoology offering itself as an alternative to hard science thanks to its vast library of sightings over the centuries. Of course it's easy to scoff: one million tourists visit Loch Ness each year but consistently fail to find anything; surely in this case absence of evidence is enough to prove evidence of absence?

The Loch Ness monster is of course merely the tip of the mythological creature iceberg. The Wikipedia entry on cryptids lists over 170 species - can they all be just as suspect? The deep ocean is the best bet today for large creatures new to science. In a 2010 post I mentioned that the still largely unexplored depths could possibly contain unknown megafauna, such as a larger version of the oarfish that could prove to be the fabled sea serpent.

I've long had a fascination with large creatures, both real (dinosaurs, of course) and imaginary. When I was eight years old David Attenborough made a television series called Fabulous Animals and I had the tie-in book. In a similar fashion to the new Loch Ness research project, Attenborough used the programmes to bring natural history and evolutionary biology to a pre-teen audience via the lure of cryptozoology. For example, he discussed komodo dragons and giant squid, comparing extant megafauna to extinct species such as woolly mammoth and to mythical beasts, including the Loch Ness Monster.

A few years later, another television series that I avidly watched covered some of the same ground, namely Arthur C. Clarke's Mysterious World. No less than four episodes covered submarine cryptozoology, including the giant squid, sea serpents and of course Nessie him (or her) self. Unfortunately the quality of such programmes has plummeted since, although as the popularity of the (frankly ridiculous) seven-year running series Finding Bigfoot shows, the public have an inexhaustible appetite for this sort of stuff.

I've read that it is estimated only about ten percent of extinct species have been discovered in the fossil record, so there are no doubt some potential surprises out there (Home floresiensis, anyone?) However, the evidence - or lack thereof - seems firmly stacked against the Loch Ness monster. What is unlikely though is that the latest expedition will dampen the spirits of the cryptid believers. A recent wolf-like corpse found in Montana, USA, may turn out to be coyote-wolf hybrid, but this hasn't stopped the Bigfoot and werewolf fans from spreading X-Files style theories across the internet. I suppose it’s mostly harmless fun, and if Professor Gemmell’s team can spread some real science along the way, who am I to argue with that? Long live Nessie!

Tuesday 29 August 2017

Cerebral celebrities: do superstar scientists harm science?

One of my earliest blog posts concerned the media circus surrounding two of the most famous scientists alive today: British physicist Stephen Hawking and his compatriot the evolutionary biologist Richard Dawkins. In addition to their scientific output, they are known in public circles thanks to a combination of their general readership books, television documentaries and charismatic personalities. The question has to be asked though, how much of their reputation is due to their being easily-caricatured and therefore media-friendly characters rather than what they have contributed to human knowledge?

Social media has done much to democratise the publication of material from a far wider range of authors than previously possible, but the current generation of scientific superstars who have arisen in the intervening eight years appear party to a feedback loop that places personality as the primary reason for their media success. As a result, are science heroes such as Neil deGrasse Tyson and Brian Cox merely adding the epithet 'cool' to STEM disciplines as they sit alongside the latest crop of media and sports stars? With their ability to fill arenas usually reserved for pop concerts or sports events, these scientists are seemingly known far and wide for who they are as much as for what they have achieved. It might seem counterintuitive to think that famous scientists and mathematicians could be damaging STEM, but I'd like to put forward five ways by which this could be occurring:

1: Hype and gossip

If fans of famous scientists spend their time reading, liking and commenting at similarly trivial levels, they may miss important material from other, less famous sources. A recent example that caught my eye was a tweet by British astrophysicist and presenter Brian Cox, containing a photograph of two swans he labelled ‘Donald' and ‘Boris'. I assume this was a reference to the current US president and British foreign secretary, but with over a thousand 'likes' by the time I saw it I wonder what other, more serious, STEM-related stories might have been missed in the rapid ebb and flow of social media.

As you would expect with popular culture fandom the science celebrities' material aimed at a general audience receives the lion's share of attention, leaving the vast majority of STEM popularisations under-recognised. Although social media has exacerbated this, the phenomenon does pre-date it. For example, Stephen Hawking's A Brief History of Time was first published in 1988, the same year as Timothy Ferris's Coming of Age in the Milky Way, a rather more detailed approach to similar material that was left overshadowed by its far more famous competitor. There is also the danger that celebrities with a non-science background might try to cash in on the current appeal of science and write poor-quality popularisations. If you consider this unlikely, you should bear in mind that there are already numerous examples of extremely dubious health, diet and nutrition books written by pop artists and movie stars. If scientists can be famous, perhaps the famous will play at being science writers.

Another result of this media hubbub is that in order to be heard, some scientists may be guilty of the very hype usually blamed on the journalists who publicise their discoveries. Whether to guarantee attention or self-promoting in order to gain further funding, an Australian research team recently came under fire for discussing a medical breakthrough as if a treatment was imminent, despite having so are only experimented on mice! This sort of hyperbole both damages the integrity of science in the public eye and can lead to such dangerous outcomes as the MMR scandal, resulting in large numbers of children not being immunised.

2: Hero worship

The worship of movie stars and pop music artists is nothing new and the adulation accorded them reminds me of the not dissimilar veneration shown to earlier generations of secular and religious leaders. The danger here then is for impressionable fans to accept the words of celebrity scientists as if they were gospel and so refrain from any form of critical analysis. When I attended an evening with astrophysicist Neil deGrasse Tyson last month I was astonished to hear some fundamental misunderstandings of science from members of the public. It seemed as if Dr Tyson had gained a personality cult who hung on each utterance but frequently failed to understand the wider context or key issues regarding the practice of science. By transferring hero worship from one form of human activity to another, the very basis - and differentiation - that delineates the scientific enterprise may be undermined.

3: Amplifying errors

Let's face it, scientists are human and make mistakes. The problem is that if the majority of a celebrity scientist's fan base are prepared to lap up every statement, then the lack of critical analysis can generate further issues. There are some appalling gaffes in the television documentaries and popular books of such luminaries as Sir David Attenborough (as previously discussed) and even superstar Brian Cox is not immune: his 2014 book Human Universe described lunar temperatures dropping below -2000 degrees Celsius! Such basic errors imply that the material is ghost-written or edited by authors with little scientific knowledge and no time for fact checking. Of course this may embarrass the science celebrity in front of their potentially jealous colleagues, but more importantly can serve as ammunition for politicians, industrialists and pseudo-scientists in their battles to persuade the public of the validity of their own pet theories - post-truth will out, and all that nonsense.

4: Star attitude

With celebrity status comes the trappings of success, most usually defined as a luxury lifestyle. A recent online discussion here in New Zealand concerned the high cost of tickets for events featuring Neil deGrasse Tyson, Brian Greene, David Attenborough, Jane Goodall and later this year, Brian Cox. Those for Auckland-based events were more expensive than tickets to see Kiwi pop star Lorde and similar in price for rugby matches between the All Blacks and British Lions. By making the tickets this expensive there is little of chance of attracting new fans; it seems to be more a case of preaching to the converted.

Surely it doesn't have to be this way: the evolutionary biologist Beth Shapiro, author of How to Clone a Mammoth, gave an excellent free illustrated talk at Auckland Museum a year ago. It seems odd that the evening with Dr Tyson, for example, consisting of just himself, interviewer Michelle Dickinson (A.K.A. Nanogirl) and a large screen, cost approximately double that of the Walking with Dinosaurs Arena event at the same venue two years earlier, which utilised US$20 million worth of animatronic and puppet life-sized dinosaurs.

Dr Tyson claims that by having celebrity interviewees on his Star Talk series he can reach a wider audience, but clearly this approach is not feasible when his tour prices are so high. At least Dr Goodall's profits went into her conservation charity, but if you consider that Dr Tyson had an audience of probably over 8000 in Auckland alone, paying between NZ$95-$349 (except for the NZ$55 student tickets) you have to wonder where all this money goes: is he collecting ‘billions and billions' of fancy waistcoats? It doesn't look as if this trend will soon stop either, as Bill Nye (The Science Guy) has just announced that he will be touring Australia later this year and his tickets start at around NZ$77.

5: Skewing the statistics

The high profiles of sci-comm royalty and their usually cheery demeanour implies that all is well in the field of scientific research, with adequate funding for important projects. However, even a quick perusal of less well-known STEM professionals on social media prove that this is not the case. An example that came to my attention back in May was that of the University of Auckland microbiologist Dr Siouxsie Wiles, who had to resort to crowdfunding for her research into fungi-based antibiotics after five consecutive funding submissions were rejected. Meanwhile, Brian Cox's connection to the Large Hadron Collider gives the impression that even such blue-sky research as the LHC can be guaranteed enormous budgets.

As much as I'd like to thank these science superstars for promoting science, technology and mathematics, I can't quite shake the feeling that their cult status is too centred on them rather than the scientific enterprise as a whole.  Now more than ever science needs a sympathetic ear from the public, but this should be brought about by a massive programme to educate the public (they are the taxpayers, after all) as to the benefits of such costly schemes as designing nuclear fusion reactors and the research on climate change. Simply treating celebrity scientists in the same way as movie stars and pop idols won't help an area of humanity under siege from so many influential political and industrial leaders with their own private agendas. We simply mustn't allow such people to misuse the discipline that has raised us from apemen to spacemen.

Thursday 27 October 2016

Murky waters: why is the aquatic ape hypothesis so popular?


Whilst not in the same class as the laughably abysmal Discovery Channel mockumentaries on the likes of mermaids and extant (rather than extinct) megalodon, the recent two-part David Attenborough BBC Radio 4 documentary The Waterside Ape has left me gritting my teeth...grrr.

The programme has confirmed something I suspected from his 2010 BBC television series and associated book, First Life: namely, that the style of his exposition takes priority over the substance of his material. I'll quickly recap on the howler he made in an episode of First Life, ironically one that featured renowned trilobite expert Richard Fortey, albeit in a different sequence. When discussing trilobites, Sir David briefly mentions that they get their name from having three segments from front to rear: head, body and pygidium (tail) - which is totally wrong!

The name is the give-away. Tri-lobe refers to the three segments across the width of the body: a central lobe and two lateral lobes. Many creatures have the head, body and tail segmentation, so it would be far from unique in trilobites. I find this example of incorrect information rather discomforting, especially from someone like Sir David who has been a fan of trilobites since childhood. You have to wonder why experts aren't invited to give BBC science and nature documentaries the once-over before broadcast, just in case any gaffes have got through to the final cut?

The issue then, is that if we non-professionals believe the content espoused by such senior figures in the field of science communication - and if such material goes without basic error-checking from professionals - how is the public to receive a half-decent science education? Of course science isn't a body of knowledge but a toolkit of investigation techniques, but few of the general public have the ability to test hypotheses themselves or access the jargon-filled original scientific papers. So relying on books and media from distinguished communicators is the primary way of increasing our STEM (Science, Technology, Engineering and Mathematics) knowledge.

Back to The Waterside Ape. The hypothesis is an old one, dating back to marine biologist - and let's face it, oddball theorist - Sir Alister Hardy's first, unpublished speculations in 1930. However, the idea didn't achieve widespread dissemination until Elaine Morgan began to publicise it in the early 1970's. Otherwise known as a fiction writer, Morgan's output on the aquatic ape hypothesis was originally considered to be a feminist critique rather than particularly serious science, bearing in mind that the author lacks professional training or experience in the field of evolutionary biology.

Whether it is thanks to dissemination via the World Wide Web, her pro-aquatic ape books have become ever more popular over the past twenty years. This is in spite of the ever-increasing number of hominin fossils and sophisticated analytical techniques that have shown little support for the idea. I'm not going to examine the evidence for and against the hypothesis, since that has been done by many others and I'm marginally less qualified to assess it than Elaine Morgan. Instead, I'm more interested in how and why the idea has maintained popular appeal when the general consensus among the specialists is that it is profoundly incorrect.

Could it be that the engaging quality of Morgan's writing obscures a lack of dry (geddit?) analysis upon a subject that could at best be deemed as controversial - and thus fool the general readership as to its validity? Or is there more to it than that? The BBC seem to have maintained an on-going interest in supporting her work over the past two decades.

Indeed, The Waterside Ape is not David Attenborough's first foray into the idea. He made another two-part BBC Radio 4 series called Scars of Evolution back in 2005, which included some of the same interviews as the recent programmes. The BBC and Discovery Channel also collaborated in 1998 on a television documentary favouring the hypothesis called surprisingly enough The Aquatic Ape, albeit without Attenborough's involvement.

A key argument that I'm sure gets public support is that the of a radical - and female - outsider being shunned by the conservative, male-dominated establishment, with Elaine Morgan pitted against the reactionary old guard of palaeontologists, biologists, etc. Her plight has been described in the same vein as meteorologist Alfred Wegener's battle with orthodox geology between the world wars, but in Wegener's case his hypothesis of continental drift lacked a mechanism until plate tectonics was formulated several decades later. As for the aquatic ape, there seems to be a suite of models describing a gamut of ideas, from the uncontroversial speculation of hominins wading for iodine- and Omega-3-rich foodstuffs (promoting brain growth) to human ancestors being Olympic-class ocean swimmers who would feel at home in a Discovery Channel mermaid mockumentary.

We shouldn't ignore the emotive aspects of the hypothesis, which the various programmes have described as a "fascinating idea" that would be "lovely to confirm". Since most people still think of dolphins as innocent, life-saving and cute (when in fact they play brutal cat-and-mouse games with live porpoises) could this be a psychological attempt to salvage something of our own rapacious species?

Elaine Morgan admitted that her first book was a response to her annoyance with the 'killer ape' theories of the 1960's, as espoused in Robert Ardrey's seminal 1961 volume African Genesis. In these post-modern, politically-correct times of gatherers first and hunters second, Raymond Dart and Robert Ardrey's once-influential machismo ape-man has fallen from favour. Unfortunately, the famous Ardrey-influenced Dawn of Man sequence in 2001: A Space Odyssey promotes just such a viewpoint, so perhaps it isn't any wonder that supporting a more tranquil aquatic ancestry might appear to be an easy way to bring 21st century sensitivities to a world reeling from constant violence.

Another possible reason for the hypothesis' widespread support is that it relies on what appears to be an impressive accumulation of facts in the Darwinian mould, without recourse to difficult mathematics or sophisticated technical jargon. For those unable to get a clear understanding of major contemporary science (Higgs boson, anyone?) the idea of aquatic ape ancestors is both romantic and easy to digest, if the supporting evidence is taken en masse and the individual alternatives for each biological feature ignored or undeclared.

Clearly, whoever thinks that science is detached from emotion should think again when considering the aquatic/waterside/paddle-boarding ape. Although on the surface a seductive idea, the collection of proofs are selective, inadequate and in some cases just plain wrong. It might be good enough for the sloppy pseudo-scientific archaeology of Graham Hancock and Erich von Daniken, but good science needs rather more to go on. Yes, there are some intriguing nuggets, but as Dr Alice Roberts said in her critique of the recent Attenborough radio series, science is about evidence, not wishful thinking. Unfortunately, the plethora of material contains rather more subtleties than trilobite nomenclature, so I can only sigh again at just how many equally poorly-concocted ideas may be swashing around the world of popular science communication. Come on, Sir David, please read past the romance and dig a bit deeper: the world needs people like you!

Wednesday 18 June 2014

Opening hearts and minds: Cosmos old, new, borrowed and blue

As a young and impressionable teenager I recall staying up once a week after the adults in my home had gone to bed in order to watch an amazing piece of television: Cosmos, a magical journey in thirteen episodes that resonated deeply with my own personal hopes and dreams. Now that Cosmos: A Spacetime Odyssey has completed its first run it's worth comparing and contrasting the two series, serving as they do as reflections of the society and culture that created them.

Both versions were launched with aggressive marketing campaigns: I was surprised to see even here in Auckland a giant billboard promoted the series in as hyped a media operation as any Hollywood blockbuster. But then I assume the broadcasters have to get returns for their massive investments (dare I call it a leap of faith?) Both the original series and the updated / reimagined / homage (delete as appropriate) version have greater scope, locales and no doubt budgets than most science documentary series, a few CGI dinosaur and David Attenborough-narrated natural history shows excepted.

The aim of the two series is clearly identical and can be summed up via a phrase from Carl Sagan's introduction to the first version's tie-in book: "to engage hearts as well as minds". In addition, both the 1980 and 2014 versions are dedicated to the proposition that "the public are far more intelligent than generally given credit for". However, with the rise of religious fundamentalist opposition to science in general and evolution in particular, there were times when the new version obviously played it safer than the earlier series, such as swapping Japanese crabs for much more familiar species, dogs. As before, artificial selection was used as a lead-in to natural selection, exactly as per Darwin's On the Origin of Species.

Another example to put the unconverted at their ease in the Neil deGrasse Tyson series is the use of devices that rely on the enormous popularity of science fiction movies and television shows today. Even the title sequence provokes some déjà vu, reminding me of Star Trek: Voyager. But then one of the directors and executive producers is former Star Trek writer-producer Brannon Braga, so perhaps that's only to be expected. In addition, the temple-like interior of Sagan's ship of the imagination has been replaced by something far more reminiscent of the Enterprise bridge. I suppose the intention is to put the scientifically illiterate at their ease before broaching unfamiliar territory.

Talking of science fiction, an echo of the space 'ballet' in 2001: A Space Odyssey can be seen with the use of Ravel's Bolero for the beautiful sequence in episode 11 of the new series. Unfortunately, the commissioned music in the Tyson programme fails to live up to the brilliant selections of classical, contemporary and folk music used in the Sagan version, which were presumably inspired by the creation of the Voyager Golden Record (a truly 1970's project if ever there was one) and with which it shares some of the same material. At times Alan Silvestri's 2014 score is too reminiscent of his Contact soundtrack, which wouldn't in itself be too distracting, but at its most choral/orchestral is too lush and distinctly overblown. Having said that, the synthesizer cues are more successful, if a bit too similar to some of the specially written material Vangelis composed for the 1986 revised version.

I also had mixed feelings about the animated sequences, the graphic novel approach for the characters seemingly at odds with the far more realistic backgrounds. Chosen primarily for budgetary reasons over live-action sequences, the combination of overstated music, dramatic lighting and quirks-and-all characterisation heavy on the funny voices meant that the stories tended to get a bit lost in the schmaltz-fest. I know we are far more blasé about special effects now - the Alexandrian library sequence in the original series blew me away at the time - but I'd rather have real actors green-screened onto digimattes than all this pseudo Dark Knight imagery.

Back to the content, hurrah! For readers of the (distinctly unpleasant) Keay Davidson biography, Carl Sagan, champion of Hypatia, has become known as the feminist ally who never did any housework. He has been left distinctly in the shade by the much greater attention paid to women scientists in the new series. Presumably Ann Druyan is responsible for much of this, although there are some lost opportunities: Caroline Herschel, most obviously; and Rachel Carson wouldn't have gone amiss, considering how much attention was given to climate change. As with the original series, the new version made a fair stab at non-Western contributions to science, including Ibn al-Haytham and Mo Tzu in the new series.

As to what could have been included in the Tyson version, it would have been good to emphasise the ups and downs trial-and-error nature of scientific discovery. After all, Sagan gave a fair amount of time to astronomer, astrologer and mystic Johannes Kepler, including his failed hypothesis linking planetary orbits to the five Platonic solids. Showing such failings is good for several reasons: it makes scientists seem as human as everyone else and also helps define the scientific method, not just the results. Note: if anyone mentions that Kepler was too mystical when compared to the likes of Galileo, point them to any modern biography of Isaac Newton...

Neil deGrasse Tyson is an excellent successor to Sagan but at times he seems to almost be imploring the audience to understand. But whereas Sagan only contended with good old fashioned astrology, his successor faces an audience of young Earth creationists, alien abductees, homeopaths and moon landing hoax theorists, so perhaps his less relaxed attitude is only to be expected. Despite the circa 1800 exoplanets that have now (indirectly) been detected, the new series failed to mention this crucial update to the Drake equation. Indeed, SETI played a distinctly backseat role to the messages of climate degradation and how large corporations have denied scientific evidence if it is at odds with profit margins.

All in all I have mixed feelings about the new series. For a central subject, the astronomy was at times second fiddle to the 'poor boy fighting adversity' theme of Faraday, Fraunhofer, etal. Not that there's anything bad about the material per se, but I think a lot more could have been made of the exciting discoveries of the intervening years: dark matter and dark energy, geological activity on various moons other than Io, even exoplanets.

The original 1980 series was a pivotal moment of my childhood and no doubt inspired countless numbers to become scientists (British physicist and presenter Brian Cox, for one), or at least like me, to dabble amateurishly in the great enterprise in our spare time. I'm pleased to add that I'm one degree of separation from Carl Sagan, thanks to having worked with a cameraman from the original series. But we can never go back. Perhaps if we're lucky, Tyson, Druyan and company will team up for some other inspiring projects in the future. Goodness knows we could do with them!

Tuesday 14 May 2013

What, how and why? Are there 3 stages to science?

Not being philosophically inclined I was recently surprised to find myself constructing an armchair thesis: it had suddenly dawned on me that there might be three, broad phases or stages to the development of scientific ideas. I'm fairly certain I haven't read about anything along similar lines, so let me explain,  safe in the knowledge that if it's a load of fetid dingo's kidneys, it's entirely of my own doing.

Stage 1

Stage one is the 'what' phase: simply stated, it is about naming and categorising natural phenomena, a delineation of cause and effect. In a sense, it is about finding rational explanations for things and events at the expense of superstition and mysticism.  In addition, it utilises the principle of parsimony, otherwise known as Occam's (or Ockham's) Razor: that the simplest explanation is usually correct. 

Although there were a few clear moments of stage one in Ancient Greece - Eratosthenes' attempt to measure the size of the Earth using Euclidean Geometry being a prime example - it seems to have taken off in earnest with Galileo. Although his work is frequently mythologised (I follow the rolling weights rather than dropping objects from the Leaning Tower of Pisa brigade), Galileo most likely devised both actual and thought experiments to test fundamental findings, such as the separate effects of air resistance and gravity.

Of course, Galileo was primarily interested in physics but the other areas of science followed soon after. Systematic biology came to the fore in such practical work as the anatomical investigations of William Harvey - pioneer in the understanding of blood circulation - and the glass bead microscopes of Antony van Leeuwenhoek. The work of the latter, interestingly enough, was largely to understand how small-scale structure in edible substances created flavours.  It's also worth thinking about how this research expanded horizons: after all, no-one had ever seen the miniature marvels such as bacteria. I wonder how difficult the engravers of illustrated volumes found it, working from sketches and verbal descriptions on sights they have never seen themselves? But then again, no-one has ever directly imaged a quark either…

Talking of biology, we shouldn't ignore Carl Linnaeus, the Swedish scientist who started the cataloguing methodology in use today. New Zealand physicist Ernest Rutherford may have disparagingly referred to all branches of science other than physics as mere stamp collecting but apart from the wild inaccuracy of his statement it is seemingly obvious that without various standards of basic definitions there is no bedrock for more sophisticated research.

The repetitive, largely practical aspect of the phase in such disciplines as geology and taxonomy meant that largely untrained amateurs could make major contributions, such as the multitude of Victorian parsons (of whom Charles Darwin was almost a member) who worked on the quantity over quality principle in collecting and cataloguing immense amounts of data. Of course, Darwin went far beyond phase one but his work built on the evaluation of evolutionary ideas (try saying that three times fast) that numerous predecessors had discussed, from the Ancient Greeks to John Ray in the late Seventeenth Century.

This isn't to say that stage one science will be finished any time soon. The Human Genome Project is a good example of a principally descriptive project that generated many surprises, not least that it is proving more difficult than predicted to utilise the results in practical applications. Although in the BBC television series The Kingdom of Plants David Attenborough mentioned that the Royal Botanic Gardens at Kew contains 90% of known plant species, there are still plenty of remote regions - not to mention the oceans - yet to yield all their secrets to systematic scientific exploration.  In addition to the biota yet to be described in scientific records, the existing catalogues are in the process of major reorganisation. For example, the multitude of duplicate plant names is currently being addressed by taxonomic experts, having so far led to the finding of 600,000 superfluous designations. It isn't just plants either: a recent example was the announcement that DNA evidence suggests there is probably only a single species of giant squid rather than seven. It may sound tedious and repetitive, but without comprehensive labelling and description of natural elements, it would be impossible to progress to the next stage.

Stage 2

Who was the first person to move beyond cataloguing nature to in-depth analysis? We'll probably never know, but bearing in mind that some of the Ionian philosophers and Alexandrian Greeks performed practical experiments, it may well have been one of them.

By looking to explore why phenomena occur and events unfold the way they do, our species took a step beyond description to evaluation. If art is holding a mirror up to nature, then could the second phase be explained as holding a magnifying glass up to nature, reducing a phenomenon to an approximation, and explaining how that approximation works?

For example, Newton took Galileo and Kepler's astronomical work and ran with it, producing his Law of Universal Gravitation. The ‘how' in this case is the gravitational constant that explained how bodies orbit their common centre of gravity. However, Newton was unable to delineate what caused the force to act across infinite, empty space, a theory that had to wait for stage three.

So different from the smug, self-satisfied attitude of scientists at the beginning of the Twentieth Century, the techniques of modern science suggest that there is a feedback cycle in which knowing which questions to ask is at least as important as gaining answers, the adage in this case being ‘good experiments generate new questions'. Having said that, some of the largest and most expensive contemporary experiments such as the Laser Interferometer Gravitational-Wave Observatory (LIGO) and Large Hadron Collider (LHC) have each been principally designed to confirm a single hypothesis.

As recent evidence has shown, even some of the fundamentals of the nature, including dark matter and dark energy, are only just being recognised. Therefore science is a long way from recognising all first principles, let alone understanding them. Closer to home, that most complex of known objects, the human brain, still holds a lot of secrets, and probably will continue to do so for some time to come.
Though microelectronics in general and computers in particular have allowed the execution of experiments in such fields as quantum teleportation, considered close to impossible by the finest minds only half a century ago, there are several reasons why computer processing power is getting closer to a theoretical maximum using current manufacturing techniques and materials. Therefore the near future may see a slowing down in the sorts of leading edge experimental science that has been achieved in recent decades. But how much progress has been made in phase three science?

Stage 3

This is more difficult to define than the other two phases and can easily veer into philosophy, a discipline that has a poor press from many professional scientists. Physicist Richard Feynman for example is supposed to have disparaged it as ‘about as useful to scientists as ornithology is to birds'.  Despite this - and the probability that there as many philosophies of science as there are philosophers -  it's easy to see that the cutting edge of science, particularly theoretical physics, generates as much discussion over its validity as any work of art. If you've read one of the myriad critiques of superstring theory for example, then you will know that it can be viewed as a series of intellectual patterns (accompanied by diabolical equations) that may never be experimentally confirmed. In that case is string theory really just a collection of philosophical hypotheses, unproven by experiment or observation and likely to remain so? The minuteness of the scale (an underwhelming description if ever there was one) makes the prospect of directly recording strings themselves  - as opposed to their effects - highly unlikely.

If that is the case then just where can you draw the line between science and philosophy? Of course one of the fundamental tenets of a valid hypothesis is to make testable predictions that no other hypothesis can account for. But with over a century of theories that increasingly fail to follow common sense  or match everyday experience perhaps this is a sign of approaching maturity in science, as we finally advance beyond the crude limitations of our biological inheritance and its limited senses. Surely one key result of this is that the boundaries between new ideas promulgated by scientists and the thoughts of armchair philosophers will become increasingly blurred? Or is that just fighting talk?

Whereas scientists engaged in phase two investigations seek to find more accurate approximations for phenomena, phase three includes the search for why one theory is thought to be correct over another. A prominent example may help elucidate. Further to Galileo in phase one and Newton in phase two, Einstein's General Relativity, which explains the cause of gravity via the curvature of spacetime, is clearly an example of phase three. Of course, contemporary physicists would argue that Einstein's equations are already known to be lacking finality due to its incompatible with quantum mechanics. Herein lies the rub!

One problem that has caused dissension amongst many scientists is a possibly even more ‘ultimate' question: why is the universe finely tuned enough for life and more than that, intelligent life, to exist? The potential answers cover the entire gamut of human thought, from the conscious design principle supported by some religiously-minded scientists, to the invocation of the laws of probability in a multiverse hypothesis, requiring an immense number of universes all with the different fundamentals (and therefore including a lucky few capable of producing life). But the obvious issue here is that wouldn't Occam's Razor suggest the former is more likely than the latter? As Astronomer Royal Sir Martin Rees states, this is veering into metaphysical territory, which except for the scientists with religious convictions, is usually an area avoided like the plague. However, it may eventually become possible to run computer models that simulate the creation of multiple universes and so as bizarre as it seems, go some way to creating a workable theory out of something that to most people is still a purely philosophical notion. Talk about counting angels on a pinhead!

I can't say I'm entirely convinced by my own theory of three stages to science, but it's been interesting to see how the history and practice of the discipline can be fitted into it. After all, as stated earlier no-one has ever observed a quark, which in the first days of their formulation were sometimes seen as purely mathematical objects any way. So if you're doubtful I don't blame you, but never say never...

Monday 29 October 2012

From geek to guru: can professional scientists be successful expositors (and maintain careers in both fields)?

The recent BBC TV series Orbit: Earth's Extraordinary Journey gave me food for thought: although presenter Helen Czerski is a professional physicist she was burdened with a co-presenter who has no formal connection with science, namely Kate Humble. You have to ask: why was Humble needed at all? I'll grant that there could have been a logistics issue, namely getting all the locations filmed in the right season within one year, but if that was the case why not use another scientist, perhaps from a different discipline? Were the producers afraid a brace of scientists would put the public off the series?

The old days of senior figures pontificating as if in a university lecture theatre are long gone, with blackboard diagrams and scruffy hair replaced by presenters who are keen to prove their non-geek status via participation in what essentially amount to danger sports in the name of illustrating examples. Okay, so the old style could be very dry and hardly likely to be inspirational to the non-converted, but did Orbit really need a non-scientist when Helen Czerski (who is hardly new to television presenting) can deliver to camera whilst skydiving? In addition, there are some female presenters, a prominent British example being Alice Roberts, who have been allowed to solely present several excellent series, albeit involving science and humanities crossovers (and why not?)

But going back to Kate Humble, some TV presenters seems to cover such a range of subject matter that it makes you wonder if they are just hired faces with no real interest (and/or knowledge) in what they are espousing: “just read the cue cards convincingly, please!” Richard Hammond - presenter of light entertainment show Top Gear and the (literally) explosive Brainiac: Science Abuse has flirted with more in-depth material in Richard Hammond's Journey To The Centre Of The Planet, Richard Hammond's Journey To The Bottom Of The Ocean and Richard Hammond's Invisible Worlds. Note the inclusion of his name in the titles – just in case you weren't aware who he is. Indeed, his Top Gear co-presenter James May seems to be genre-hopping in a similar vein, including James May's Big Ideas, James May's Things You Need to Know, James May on the Moon and James May at the Edge of Space amongst others, again providing a hint as to who is fronting the programmes. Could it be that public opinion of scientists is poor enough - part geek, part Dr Strangelove - to force producers to employ non-scientist presenters with a well-established TV image, even if that image largely consists of racing cars?

Popular science books from Cosmos to A Brief History of Time

Having said that, science professionals aren't infallible communicators: Sir David Attenborough, a natural sciences graduate and fossil collector since childhood, made an astonishing howler in his otherwise excellent BBC documentary First Life. During an episode that ironically included Richard 'Mr Trilobite' Fortey himself, Sir David described these organisms as being so named due to their head/body/tail configuration. In fact, the group's name stems somewhat obviously from tri-lobes, being the central and lateral lobes in their body plan. It was an astounding slip up and gave me food for thought as to whether anyone on these series ever double checks the factual content, just to make sure it wasn't copied off the back of a cereal packet.

Another possible reason for using non-science presenters is that in order to make a programme memorable, producers aim to differentiate their expositors as much as possible. I've already discussed the merits of two of the world's best known scientists, Stephen Hawking and Richard Dawkins, and the unique attributes they bring to their programmes, even if in Dawkins' case this revolves around his attitude to anyone who has an interest in any form of unproven belief. I wonder if he extends his disapprobation to string theorists?

What is interesting is that whereas the previous generation of popular science expositors achieved fame through their theories and eventually bestselling popularisations, the current crop, of whom Helen Czerski is an example, have become well-known directly through television appearances. That's not to say that the majority of people who have heard of Stephen Hawking and Richard Dawkins have read The Selfish Gene or A Brief History of Time. After all, the former was first published in 1976 and achieved renown in academic circles long before the public knew of Dawkins. Some estimates suggest as little as 1% of the ten million or so buyers of the latter have actually read it in its entirety and in fact there has been something of a small industry in reader's companions, not to mention Hawking's own A Briefer History of Time, intended to convey in easier-to-digest form some of the more difficult elements of the original book. In addition, the US newspaper Investors Business Daily published an article in 2009 implying they thought Hawking was an American! So can you define fame solely of being able to identify a face with a name?

In the case of Richard Dawkins it could be argued that he has a remit as a professional science communicator, or at least had from 1995 to 2008, due to his position during this time as the first Simonyi Professor for the Public Understanding of Science. What about other scientists who have achieved some degree of recognition outside of their fields of study thanks to effective science communication? Theoretical physicist Michio Kaku has appeared in over fifty documentaries and counting and has written several bestselling popular science books , whilst if you want a sound bite on dinosaurs Dale Russell is your palaeontologist. But it's difficult to think of any one scientist capable of inspiring the public as much as Carl Sagan post- Cosmos. Sagan though was the antithesis of the shy and retiring scientist stereotype and faced peer accusations of deliberately cultivating fame (and of course, fortune) to the extent of jumping on scientific bandwagons solely in order to gain popularity. As a result, at the height of his popularity and with a Pulitzer Prize-winning book behind him, Sagan failed to gain entry to the US National Academy of Sciences. It could be argued that no-one has taken his place because they don't want their scientific achievements belittled or ignored by the senior science establishment: much better to claim they are a scientist with a sideline in presenting, rather than a communicator with a science background. So in this celebrity-obsessed age, is it better to be a scientific shrinking violet?

At this point you might have noticed that I've missed out Brian Cox (or Professor Brian Cox as it states on the cover of his books, just in case you thought he was an ex-keyboard player who had somehow managed to wangle his way into CERN.) If anyone could wish to be Sagan's heir - and admits to Sagan as a key inspiration - then surely Cox is that scientist. With a recent guest appearance as himself on Dr Who and an action hero-like credibility, his TV series having featured him flying in a vintage supersonic Lightening jet and quad biking across the desert, Cox is an informal, seemingly non-authoritative version of Sagan. A key question is will he become an egotistical prima donna and find himself divorced from the Large Hadron Collider in return for lucrative TV and tie-in book deals?

Of course, you can't have science without communication. After all, what's the opposite of popular science: unpopular science? The alternative to professionals enthusing about their subject is to have a mouth-for-hire, however well presented; delineating material they neither understand nor care about. And considering the power that non-thinking celebrities appear to wield, it's vital that science gets the best communicators it can, recruited from within its own discipline. The alternative can clearly be seen by last years' celebrity suggestion that oceans are salty due to whale sperm. Aargh!

Monday 30 November 2009

Horizon Event: science broadcasting in the UK today

The BBC has borne the brunt of accusations in recent years regarding the dumming down of science broadcasting, but their 17th November Horizon episode 'How Long is a Piece of String?' shows that there is still hope. For a start, it lacked two of my pet hates that are seemingly mandatory in current documentaries: blurry hand-held shots joined by jump cuts and accompanied by a pop track that changes every five seconds; and slick computer graphics sequences repeated up to half a dozen times just to get the money's worth. MTV: you have a lot to answer for!

The rather silly Press moniker 'Everymoron' belies the fact that the show's presenter Alan Davies is ideal for the role, perfectly balancing a genuine desire to learn with the difficulty of understanding abstractions far removed from the every day. What starts with the appearance of a simple mechanical problem ends up with Alan delving into all sorts areas, from fractals to quantum electrodynamics. Davies' earlier Maths-orientated Horizon, 'Go Forth and Multiply', was great for those like me who didn't even get as far as calculus; this episode was an even better combination of exposition and entertainment.

Horizon has broadcast over one thousand episodes since 1964 but with its website no longer being updated and some fairly dubious programmes in the past decade verging on New Age quackery, it could appear there has been a major loss of nerve. Horizon's Channel Four equivalent, Equinox, made some excellent programmes over fifteen years before fizzling out of a regular slot in 2001. Surely it's inconceivable that the audience for these programmes has evaporated? Channel Four still makes a few interesting short series - Inside Nature's Giants springs to mind - but no annual shows. Most of the specialist satellite and cable channels just recycle the old favourites, and as for Channel Five...

One obvious problem is simple economics: documentaries aren't usually big money spinners compared to the reality rubbish that clogs our airtime, meaning international co-productions are a safer bet. And if the co-producer is American, there are obvious issues for any biology-related stories: "We've got to be careful now - we can't afford to lose all those channels in the Bible Belt!" But is this a side issue? Are we simply seeing a frightening reflection of a society that has lost confidence in science and is turning to spiritual beliefs old and new?

I really miss the large-scale one-off series (with accompanying book), such as the classics The Ascent of Man, Cosmos and The Day the Universe Changed. These were fantastic ventures, introducing science-orientated themes to large audiences. It seems that only David Attenborough can still command these sorts of budgets, although it would be difficult not to fund him considering how profoundly inspiring he is (I confess that several decades ago I met the great man and would certainly make an exception to the rule 'never meet your heroes').

But natural history is only one segment of the great sweep of science. Horizon has shown a predilection for what could be dubbed the historical/contingency sciences in the increasing frequency of its palaeontological and archaeological episodes, no doubt deemed safe bets considering the popularity of Time Team and all-things dinosaur. Of course archaeology is a humanity that makes use of scientific techniques, so for anyone tedious enough to follow Ernest Rutherford's view that all science is either physics or stamp collecting, this emphasis won't impress.

Talking of dinosauria, the BBC has gained enormous success with producer Tim Haines, from Walking With Dinosaurs and its sequels to Space Odyssey, but these are on the order of 'docufiction' and not a substitute for Horizon or Equinox at their best. The boundaries between evidence and speculation in Haines' series, although tempered by the companion books and 'making of' documentaries, are frequently blurred to such an extent as to give the impression much of the content is unimpeachable fact. I don't want to be a killjoy: the series are excellent fun, but they are not science documentaries.

On the other hand, shows based around practical experiments are on the increase, with even food programmes getting in on the act. Let's hope the likes of the BBC's Bang Goes The Theory and its companion website don't degenerate into the sort of lowbrow edutainment that defined the latter years of Tomorrow's World (you might be able to guess why I’m deliberately ignoring the likes of Click and Channel Five's The Gadget Show.)

Also, it's hard to dispute the excellence of science broadcasting on BBC Radio Four, with Leading Edge, Frontiers and Material World just a few of many regular series. Mention should also be made of Melvin Bragg's multi-disciplined In Our Time; it has some superb science episodes, supplying additional entertainment whenever he is called upon to pronounce 'spectroscopy'!

Where does QI fit in to all this? Stephen Fry tries hard despite the obvious gaps in his scientific knowledge, my favourite clanger being his 2005 remark that marsupials aren't mammals - eek! Having everyone's favourite quantum physicist-turned-comedian Ben Miller crop up now and then is a good idea, but if Alan Davies can keep up the good work on Horizon, perhaps we're in for some real treats. Here's to the 'Everymoron'!